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Thread: Film to Digital to Film

  1. #1
    Inactive Member mattiec's Avatar
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    Has anyone transfered super 8 or 16 to digital, edited it on a computer and then transfered it to 35mm film? If so... any observations would be helpful.

  2. #2
    Inactive Member WUXflooble's Avatar
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    Talking

    I've also considered this technique.
    We need a filmic look, but we've got
    a lot of CG and composite stuff to do
    which will look crap if I try doing
    it using traditional optical effects.
    So the only way around it would be to
    get the footage on to DV, edit on PC
    and process all the effects. On top
    of that you've got to match the grain
    of the film footage otherwise the CG
    stuff will just look like its been
    cut out and stuck on.

    Getting to the point...

    Shoot yer film. Telecine to DV.
    Do yer post-prod.
    Now here comes the funky part->
    Get hold of the biggest- highest res
    monitor you can afford. Hook it up to
    yer PC. Align yer 16mm Camera with the
    monitor and build a matte box between
    the two so that the camera only sees
    the screen. Play the footage from the
    DVcamera through the firewire(make sure
    its played fullscreen with no borders)
    and start the 16mm rolling just before
    you start the DV.NOTE-experimentation
    maybe required, as I've only ever attempted
    this technique with still photography.
    All being well, you should have a crystal
    clear 35mm\16mm print of your original
    footage. The results I've had with still
    photography have been laser printer quality,
    so I'd figure the same will hold true with
    CineFilm.





    [This message has been edited by WUXflooble (edited May 29, 2000).]

    [This message has been edited by WUXflooble (edited May 29, 2000).]

  3. #3
    Inactive Member WUXflooble's Avatar
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    Sorry, just remembered something
    very important...

    The monitor will create a strobing
    effect unless you speed up it's
    refresh rate.

    The alternative is to photograph
    each frame individualy using your
    cinecam's single frame mode.
    That would be a better bet.
    Either way it's still cheaper than
    giving thousands'o'pounds to
    some hoighty toighty Soho posthouse
    to do it.

  4. #4
    eddie
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    That sounds like a good idea. BUT you will need to experiment with the refresh rate of the monitor to try and match 24 fps for the film camera. Also make sure you experiment with exposure settings on the camera and the brightness/contrast settings on the screen.
    I guess if you have a massive monitor this is as good as you'll get without spending 10's of thousands of pounds.
    Has anyone actually tried to do this?

  5. #5
    Inactive Member vansgirl12's Avatar
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    Red face

    My advice is..if you are going to put it on the computer, do it DV or DigitalBETA..then transfer it onto 35mm or 16mm..this rather expensive tho...so if you want to go directly to tape and still get the 35mm look you can buy this type of software that will install an addon for Premiere or Final Cut Pro and when you use the effect it will give your film a 35 mm look..I believe the software is called CieneLook...I'll have to look it up.

    ------------------
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  6. #6
    Inactive Member mattiec's Avatar
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    Has anyone tried this and transfered back to 35mm professionally. If you just film your monitor - what about sound? How would you successfully sync that up?

  7. #7
    Inactive Member WUXflooble's Avatar
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    Errrr, I'd figure that you've got your
    sound track on DAT or MiniDISC with
    timecode data encoded. Sounds not my
    department, so as far as I can tell that
    would have to be done the expensive post
    house way.

  8. #8
    Inactive Member WUXflooble's Avatar
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    Lightbulb

    If you just wanted to make DV look like
    film, simply tweek the Brightness\Contrast
    settings in Premiere. It only has to be
    done very slightly, and gives washed out
    video footage a very convincing film grain
    look. You could also tint the footage by
    tweeking the RGB channels which creates
    some very interesting effects.

    [This message has been edited by WUXflooble (edited May 31, 2000).]

  9. #9
    Inactive Member mattiec's Avatar
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    I don't want to shoot video. I really want to shoot on film- super 8 or 16mm. However I don't want to jump through hoops and spend alot of money in post - work prints, remixing, foley, I want to shoot wild or without sound and drop it in later using the computer ala Fellini. Then I want to eventually transfer to film for exhibition if its good enough. I was wondering if there is any technical limitations in doing this - 24fps to 29fps back to 24fps etc.

  10. #10
    Inactive Member AnnaCarrington's Avatar
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    Let me know how you get on; I wanna try this too! (not for a while yet though - so I wont be researching it probably until next year.)

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